It is quite usual for claimant to conduct private investigation to collect evidence of infringement before formally filing a lawsuit. However, claimant should be careful that the evidence collected should be tailored to the burden of proof in the subsequent litigation. For example, in the setting of copyright infringement, if the claimant intends to assert unauthorized “public” broadcast, the evidence the claimant presents has to show defendant’s use of copyrighted work meets the requirement of “public” broadcast. Evidence showing Infringer’s personal and private use may not count.
In a recent copyright lawsuit filed by Music
Copyright Society of Chinese Taipei (“MUST”) against a local restaurant for infringing
MUST’s right of public performance over musical work, the IP Court denied MUST’s
claim because the evidence MUST presented was unable to show there was “public performance”
of musical work in the defendant’s restaurant.
The evidence prepared by MUST is video
clips secretly recorded by unknown source, who intentionally recorded each
copyrighted musical work played by every karaoke equipment in defendant’s restaurant
in every dining room. The video clips clearly showed the copyrighted music was requested
and played by karaoke equipment inside defendant’s restaurant, which was a public
area. Nonetheless, the IP Court Judge found the recorded performance of the
copyrighted music did not meet the statutory definition of “public performance”
under Article 3 of Copyright Act.
Per the applicable Copyright Act, “Public
performance means to act, dance, sing, play a musical instrument, or use other
means to communicate the content of a work to a public that is present at the
scene. This includes any communication to the public of an original broadcast
of sounds or images through loudspeakers or other equipment.” Based on the
statutory language, the IP Court Judge opined that the purpose of public
performance should be “to communicate the copyrighted content to ordinary
consumers”. That is to say, if the performance is deliberately arranged for “investigatory
purpose”, such performance shall not be viewed as “public performance”.
Here,
the IP Court Judge questioned the source of MUST’s video clips, which obviously
were prepared by someone who visited defendant’s restaurant with intent to investigate
and collect evidence, rather than to dine as ordinary consumers. As MUST was
not able to come up with proper explanation in this respect, the IP Court Judge
came to believe that the video clips were prepared by MUST’s staff, and the recorded
performance was probably caused by MUST’s staff, not ordinary consumers. Since the performance was not made with intent to communicate the copyrighted content to the general public, it does not meet the requirement of "public performance".
Based
on the aforesaid findings, the IP Court Judge ruled that the performances
recorded in MUST’s video clips were not “public performance” as prescribed by
Copyright Act. Since there was no other evidence submitted by MUST to prove
defendant’s infringement, MUST’s claims were denied accordingly.
Source:
109-Ming-Zhu-Su No. 61 (IP Court, December 14, 2020)